Collaborated with global stakeholders to evolve all aspects of Microsoft’s brand identity system and guidelines (photography, typography, illustration, color, voice, etc.). Managed agencies, photographers, producers, videographers, writers, and designers to overhaul the visual style and process for capturing brand imagery. Consulted with teams across Microsoft’s entire portfolio and conducted training to align purposes and strengthen universal brand health. Provided creative support for the Strategic Partnership Team across themes including research, technology, TV and movies, music, sports, the arts, and social good. Led initiatives to expand diversity, inclusion, and equity objectives. Contributed to shifting department perceptions from “Brand Police” to “Brand Partners”.

Microsoft Global Photo Library

MICROSOFT NEEDED PHOTOGRAPHY THAT WAS INNOVATIVE, TRUSTWORTHY, AND MORE HUMAN.

PROGRAM MANAGEMENT / CREATIVE DIRECTION / ART DIRECTION / PHOTOGRAPHY / WRITING / DESIGN

Authored the strategy, and led agencies, photographers, producers, videographers, writers, designers, and interns, to build brand guidelines, and a global photo library that addressed gaps in authentic representation of marginalized people. Images supported Microsoft business priorities such as AI, Cloud Services, STEM education, and sustainability initiatives.

Locations targeted geographical growth areas such as Africa, India, South America, and Southeast Asia. More than 25K unique visitors spanning 105 countries access this photo library per quarter. With over a million downloads—this library is used to build credibility and inspire audiences all around the world.

India reel

Singapore reel

Microsoft ERG Visual Systems

MICROSOFT’S GD&I TEAM WANTED THE VISUAL IDENTITIES OF EMPLOYEE RESOURCE GROUPS TO BETTER ALIGN.

BRAND CONSULTING / ART DIRECTION / DESIGN

Each of the 9 main groups had their own look and feel. Additionally, there were further variables across chapters. Our goal was to preserve the individuality of each group, while creating a system where all would have cohesive voicing when appearing together.

Also, our solution had to be future proof to accommodate the addition of new groups. To solve, we partnered with each ERG to assess their needs and were inclusive of their guidance and approval each step of the way.


PRIDE 2019

OUTLINED FRAMEWORK FOR GLOBAL VISUAL IDENTITY TOOLKIT TO SUPPORT LGBTQIA+ EMPLOYEE-LED PRIDE MONTH ACTIVATIONS.

STRATEGY / CONCEPTING / PHOTOGRAPHY / DESIGN

PRIDE 2019 coincided with the 50th anniversary of the Stonewall uprising. So, traditional handmade elements such as buttons, banners, and stickers were used as a budget-friendly nod to the grassroots protest tools of the past.

This open-sourced campaign blended community outreach, product integrations, owned and earned media, and retail events. Engagements generated 150M+ impressions with participation from more than 15,000 employees from 61 cities and 30 countries.

 
 

Anthem video

Special Olympics + Xbox eSports Partnership

LED TEAM TO PROPOSE eSPORTS AS A NEW COMPETITION FOR SPECIAL OLYMPICS, AND TO LEVERAGE MICROSOFT TECHNOLOGIES TO MAKE GAMING MORE INCLUSIVE.

STRATEGY / CONCEPTING / DESIGN / PHOTOGRAPHY

A multi-year roadmap was developed to create an accessible platform for athletes of all abilities, expand fundraising, reach new audiences, and change perceptions of people with intellectual disabilities. We then partnered with internal and external stakeholders

on program assessment and logistics for a national tournament. The first-ever championship demonstration was held at the 2018 Special Olympics USA Games, broadcast on ESPN, and received positive coverage in publications including Forbes and across social media.

 

Rationale video


Xbox Sesions with Mark Hamill, Ninja, and Simby

In-studio promo captures and BTS coverage for the Fortnite—Star Wars: Rise of Skywalker reveal.

PHOTOGRAPHY

Photos were used in press releases world-wide, and were reposted by top industry social feeds and media.

Ninja teaches Mark Hamill the ways of Fortnite.

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